This remarkable Art Nouveau façade was designed in 1900 for the printing works of Edward Everard. Either side are Johann Gutenberg, father of printing, and William Morris, reviver of craftsmanship. In between the Spirit of Light spreads glorious wings over arched windows. Below is Everard’s name in the Art Nouveau typeface he designed. The brilliant colours remain as fresh as ever, since the decoration is not painted on, but made of glazed tiles.
